Digikam/Tour/de

Information

Die Bilder sind anklickbare Miniaturbilder

Einführung

Menschen, die digitale Fotografie für ihr kreatives Gestalten verwenden, sind sehr vertraut mit Software-Produkten von Unternehmen wie Adobe ™ , Corel ™ , ACD Systems ™ , Bibble Labs ™ , Lichtwerk™ und sogar Google ™. Die meisten von ihnen sind wahrscheinlich mit Gimp vertraut, was bis vor kurzem die führende Open-Source -Bildbearbeitung war. Leider fehlt Gimp eine sehr wichtige Funktion für viele Fotografen, die 16-Bit pro Kanal Bearbeitung. Aus diesem Grund haben die meisten Profifotografen nicht Gimp als eine praktikable Alternative. Zwar gibt es auch Cinepaint, die sich von Gimp vor ein paar Jahren abgespalten hat, und bietet 16-Bit pro Kanal zur Bearbeitung. Leider lässt seine Schnittstelle eine Menge zu wünschen übrig, und scheint nicht umfassen gepflegt zu werden.

Glücklicherweise gibt es jetzt eine weitere Open-Source-Alternative mit 16-Bit- Modus als Bearbeitungsfunktionen, die wie es aussehe die großen Jungs hinter ihrem Geld nachlaufen lassen könnte - . Ich persönlich habe digiKam erst vor kurzem entdeckt. Vorher hatte ich es auch schon versucht , aber erst seit der KDE SC 4 Edition denke ich, war es bereit für meinen Einsatz. Ich war eigentlich ziemlich überrascht zu sehen, wie sehr sich digiKam verbessert hat und wie viele Funktionen es beinhaltet. Einige seiner Eigenschaften sind:

• 16 bit Unterstützung pro Kanal.
• Kurven und Gradationswerkzeuge.
• Farbmanagementunterstützung
• Weißabgleich mit Farbtemperaturpipette
• Linsenkorrektur für Objektivfehler
• Nach Seitenverhältnis zuschneiden mit verschiedenen Standardformaten.
• Ordentlicher Schwarzweißkonvertierung
• Stapelverarbeitung
• Stichwörter und Suchfunktionen
• Export nach Facebook, Flickr, Picasa, etc.

Und es gibt noch viel viel mehr, dass ich einfach keine Zeithabe, um selbst alle zu erwähnen. Natürlich digiKam ist nicht perfekt. Und es gibt ein paar Punkte, bei denen die ich erwarte, dass diese bald verbessert oder korrigiert werden. Aber ich versichere Ihnen, dass, wenn Sie Fotografieren, Sie viel in Zukunft über digiKam zu hören bekommen, hoffentlich genießen Sie die Verwendung von digiKam.

Ich erlaube mir Ihnen in mit einer kurzen Führung zu zeigen wie es ist mit digiKam zu Arbeiten. Derzeit verwende ich digiKam Version 1.0.0-beta4 wie sie in PCLinuxOS KDE4 Repositories vorhanden ist.

Rohdateien bearbeiten

Für diese Tour habe ich beschlossen, dieses Foto zu verwenden, weil es in unterschiedlichen Bereichen über- und unterbelichtet ist.

Dieses RAW Bild habe ich mit meiner alten Pentax istDs* aufgenommen. So schaut es in digiKam Editor aus, welcher auch als eigene Applikation zur Verfügung steht, genannt showFoto.

If you are familiar with histograms, you may have noticed that the histogram on this picture seems rather odd. The reason for that is that digiKam can show two different types of histograms, linear and logarithmic. The one displayed here is the logarithmic histogram, but most people are only accustomed to the linear type. One can switch between histogram types by clicking their respective little buttons above the histogram. Unfortunately, when clicking on the linear histogram button for this image all I get is a flat line. This is what digiKam’s documentation says regarding this:

“for images that contain substantial areas of constant color a linear histogram will often be dominated by a single bar. In this case a logarithmic histogram will often be more useful.”

I am sure there are technical reasons for this, but I do wonder why other programs, like Cinepaint, are able to show a linear histogram for this image just fine. I mention this because I know that some people do rely on the histogram a lot and I do think that the linear type is more useful. But I agree that having the logarithmic histogram is better than nothing. So, since this is not really a show stopper lets move on.

I am by far not a post-processing expert. My normal work-flow when editing an image is to edit the levels, adjust the saturation, crop or resize, and then sharpen the image. So, lets try to do that with this image.

Tonwertkorrektur

First lets use the levels tool found under Color -> Levels Adjust.

I basically just added a bit of contrast by moving the left lever (below the second histogram) to the right and lighten the image by moving the right lever to the left. The preview window adjusts automatically as I make my adjustments so that I know what the result will be.

Farbsättigung

Now, lets increase the saturation to try to bring out the color a little. For that we use the saturation tool found under Color -> Hue/Saturation/Lightness.

I don’t like the “Disney” look that some point and shoot cameras default to with supper saturated colors. I like to keep my images somewhat realistic looking. So I don’t like to bump the saturation too much. I feel that, for this picture, that amount of saturation is just enough to give it a bit of life without going too far into cartoon land.

Zuschneiden

Now I am going to crop the image. This is really an important step if you are planning on printing the image. If you have ever taken your DSLR images to be printed without cropping them first, you may have been unpleasantly surprised by the fact that they were not centered correctly, or that an important part of the image was left out. The reason for this is that the image you gave them did not have the same proportions as the paper you asked them to print it on. And so they had to crop it for you. To prevent that from happening you need to crop your images to the same proportions of the paper you will be printing on. Yes, that means that you will need a different image if you want to print 8×10 than if you want 5×7, 14×20, etc. Fortunately, digiKam makes this step a breeze with its aspect ratio crop tool found under Transform -> Aspect Ratio Crop.

As you can see I chose to use the “Golden Ratio” option for this image, but digiKam has predefined settings for all the common printing paper ratios in the market and even allows you to choose a custom ratio if you desire.

Schärfen

The final step in my photo processing work-flow is to sharpen the image. I am used to using the Unsharp mask method for this purpose, but in reading digiKam’s documentation I was surprised to learn that they actually recommend the Refocus method as a way to obtain better results. This is how the Sharpen tool looks, found under Enhance -> Sharpen.

As you can see, you can change the sharpening method used with a drop down button. You can zoom in to the image as much as you want using the Zoom button, and you can move the zoom window around in the small preview image above the settings area. I was conservative in the amount of Circular sharpness specified because I could see in the preview area that going for more would result in a lot of grain being visible. This amount improved the sharpness significantly while still retaining the smooth look of the overall image. This is my final result.

As you can see, there is quite a bit of improvement over what we started with.

Automatische Korrektur

Normally I would have been content with leaving it at that. But since I am still in the exploring digiKam mode, I decided to test some of the Auto-Correction tools available. To do that, I went back to the original RAW image, and after importing it, I went straight into Color -> Auto-Correction. This is what it looks like.

As you can see, there are five automatic correction levels that you can choose from to improve your image. In most images that I have tried this with, the Auto Levels option gives the best results. However, in this particular image the result was too dark. I had not seen any image for which the Equalize option resulted in an improvement, but for this particular image the results it gave me were surprisingly good. This is what the digiKam documentation says about the Equalize method of Auto-Correction:

"Equalize: this method adjusts the brightness of colors across the selected image so that the histogram for the Value channel is as flat as possible, that is, so that each possible brightness value appears at about the same number of pixels as each other value. Sometimes Equalize works wonderfully at enhancing the contrasts of an image. Other times it gives garbage. It is a very powerful operation, which can either work miracles on a image or destroy it."

Well, looks like they were not kidding. My image turned out much better using this method of correction instead of my normal level adjustment step. This is how the image looks after adding saturation, cropping it, and sharpening it.

Schlussfolgerung

Without a doubt digiKam has a lot to offer for the photographers among us. Unfortunately, it still has one glaring omission – a clone tool. You may have noticed that the original RAW image had some dust specks in the sky above the trees and in other parts of the clouds. In digiKam, the only tool available for trying to remove such things (other than cropping them out as I did here) is a tool called In-painting, found under Enhance -> In-painting. However, that tool is not easy to use and is rather slow. With a proper clone tool, as available in most other photo editors, removing such items only takes a few seconds. The good news is that the digiKam developers have acknowledged this omission as a bug and we can expect to see it implemented in a future version of digiKam. In the mean time we can use the Gimp to take care of these items as a final touch up step.

I think you will agree that digiKam is an amazing open source tool. It has now become my main photo editor. If you are into photography, why not give it a try?

This page was written in October 2009. Can you add to it, talking about a later version?